Pasolini in Chiaroscuro

Guillaume de Sardes’s well-documented and extensively illustrated essay looks at Pier Paolo Pasolini’s cinematographic work, which is influenced by classical Italian painting, and, symmetrically, at the influence his work has had on contemporary artists.

Bartolomeo Pietromarchi’s text extends this investigation by showing the extent to which the myth surrounding the writer-filmmaker has inspired contemporary artists.

The publication is supported by:
SOGEDA, Monaco ;
FABA –  Fundación Almine y Bernard Ruiz-Picasso, Bruxelles;
Adina and Jean-Claude Adler;
Ambassade d’Italie à Monaco

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Available at the museum, for orders : bookshop@nmnm.mc

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